Much of my practice is making installations and interactive performances to which people can bring deep parts of themselves privately to a group aesthetic outcome, or making transformative performances and environments.  We are all going to transform in the same way at the end of life and currently I am currently developing an inter-disciplinary body of work exploring pre and post-mortem liminality. We are deeply invested emotionally and often financially in the memorialization of our dead and toil to make the place and circumstance of memorialization beautiful, dignified and meaningful for ourselves, and the memory of our loved ones. Less effort is spent on the place of dying. What kind of sensory environment might be compelling as a place to die?

I am making a series of passing places: sound, film, performance, and installation works, based on the physical, social, and metaphysical events of death. Some of these environments are only captured in film, and some will be mobile environments that can roll into hospice, hospital, and home situations.